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Piero Manzoni Archive

Piero Manzoni Archive

In May 1961, while he was living in Milan, Piero Manzoni produced ninety cans of Artist's Shit. Each was numbered on the lid 001 to 090. A label on each can, printed in Italian, English, French and German, and identified the contents as ‘Artist’s Shit, contents 30gr net freshly preserved, produced and tinned in May 1961.' In December 1961 Manzoni wrote in a letter to the artist Ben Vautier: 'I should like all artists...

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Piero Manzoni Archive

In May 1961, while he was living in Milan, Piero Manzoni produced ninety cans of Artist's Shit. Each was numbered on the lid 001 to 090. A label on each can, printed in Italian, English, French and German, and identified the contents as ‘Artist’s Shit, contents 30gr net freshly preserved, produced and tinned in May 1961.' In December 1961 Manzoni wrote in a letter to the artist Ben Vautier: 'I should like all artists to sell their fingerprints, or else stage competitions to see who can draw the longest line or sell their shit in tins. The fingerprint is the only sign of the personality that can be accepted: if collectors want something intimate, really personal to the artist, there's the artist's own shit, that is really his.'

 

It is not known exactly how many cans of Artist's Shit were sold within Manzoni's lifetime, but a receipt dated 23 August 1962 certifies that Manzoni sold one to Alberto Lucia for 30 grams of 18-carat gold (reproduced in Battino and Palazzoli). Manzoni's decision to value his excrement on a par with the price of gold made clear reference to the tradition of the artist as alchemist already forged by Marcel Duchamp and Yves Klein among others.


 

 

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